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Yuddha Kanda, Sarga 21

ततः सागरवेलायां दर्भानास्तीर्य राघवः। अञ्जलिं प्राङ्मुखः कृत्वा प्रतिशिश्ये महोदधेः॥ १॥ बाहुं भुजङ्गभोगाभमुपधायारिसूदनः। जातरूपमयैश्चैव भूषणैर्भूषितं पुरा॥ २॥

Meaning

Spreading blades of the sacred Kuśa grass on the seashore and joining his palms as a mark of respect to the ocean, Śrī Rāma (a scion of Raghu), the destroyer of his foes, then lay down with his face turned towards the east and using as a pillow his arm,which looked like the coils of a serpent and was adorned in the past with ornaments of gold. (1-2)

मणिकाञ्चनकेयूरमुक्ताप्रवरभूषणैः। भुजैः परमनारीणामभिमृष्टमनेकधा॥ ३॥ चन्दनागुरुभिश्चैव पुरस्तादभिसेवितम्। बालसूर्यप्रकाशैश्च चन्दनैरुपशोभितम्॥ ४॥ शयने चोत्तमाङ्गेन सीतायाः शोभितं पुरा। तक्षकस्येव सम्भोगं गङ्गाजलनिषेवितम्॥ ५॥ संयुगे युगसंकाशं शत्रूणां शोकवर्धनम्। सुहृदां नन्दनं दीर्घं सागरान्तव्यपाश्रयम्॥ ६॥ अस्यता च पुनः सव्यं ज्याघातविहतत्वचम्। दक्षिणो दक्षिणं बाहुं महापरिघसंनिभम्॥ ७॥ गोसहस्रप्रदातारं ह्युपधाय भुजं महत्। अद्य मे तरणं वाथ मरणं सागरस्य वा॥ ८॥ इति रामो धृतिं कृत्वा महाबाहुर्महोदधिम्। अधिशिष्ये च विधिवत् प्रयतो नियतो मुनिः॥ ९॥

Meaning

Actually using as a pillow his unusually long right-arm, strictly speaking, the portion above the elbow—which resembled a large club and had given away thousands of cows; which had been kneaded more than once (at the time of unction and bath) by the arms of excellent women, full of maternal affection, and which has been adorned with armlets of gems and gold and most excellent jewels of pearls; which was formerly perfumed with sandalwood and aloe and with saffron-pastes emitting the lustre of the rising sun; which was in the past graced by the head of Sītā on the (nuptial) couch covered with a white sheet and having been painted with saffron-paste, resembled the coils of Takṣaka (a serpent whose body has been depicted as possessing a red hue) supported on the water of the Gaṅgā (which is a fitting analogue to the white sheet in point of purity); which heightened the grief of his foes on the field of battel and conduced to the delight of his friends and was long like a yoke and served as a support for the entire earth bounded by the four oceans, and whose skin had been hardened by strokes of the bowstring while it propelled arrows to the left—(nay) having resolved that either the sea would be crossed by him or the sea-god would meet his death at his hands, the mighty-armed Śrī Rāma, who was full of consideration for others, lay down by the ocean with his body, speech and mind duly controlled. (3—9)

तस्य रामस्य सुप्तस्य कुशास्तीर्णे महीतले। नियमादप्रमत्तस्य निशास्तिस्रोऽभिजग्मतुः॥ १०॥

Meaning

Three nights actually rolled by even as Śrī Rāma lay on the earth’s surface spread with the sacred Kuśa grass, remaining strictly devoted to his sacred vow. (10)

स त्रिरात्रोषितस्तत्र नयज्ञो धर्मवत्सलः। उपासत तदा रामः सागरं सरितां पतिम्॥ ११॥

Meaning

Having lain down for three nights on that spot, the celebrated Śrī Rāma, who was skilled in policy and was fond of piety, waited on that occasion upon Ocean, the lord of rivers. (11)

न च दर्शयते रूपं मन्दो रामस्य सागरः। प्रयतेनापि रामेण यथार्हमभिपूजितः॥ १२॥

Meaning

Though honoured according to his worth by the piously disposed Śrī Rāma, the indolent Ocean did not, all the same, manifest his personal form to Śrī Rāma. (12)

समुद्रस्य ततः क्रुद्धो रामो रक्तान्तलोचनः। समीपस्थमुवाचेदं लक्ष्मणं शुभलक्षणम्॥ १३॥

Meaning

Enraged against Ocean, the outer corners of his eyes turned red. Śrī Rāma thereupon spoke as follows to Lakṣmana, endowed with auspicious bodily marks, who stood near: (13)

अवलेपः समुद्रस्य न दर्शयति यः स्वयम्। प्रशमश्च क्षमा चैव आर्जवं प्रियवादिता॥ १४॥ असामर्थ्यफला ह्येते निर्गुणेषु सतां गुणाः। आत्मप्रशंसिनं दुष्टं धृष्टं विपरिधावकम्॥ १५॥ सर्वत्रोत्सृष्टदण्डं च लोकः सत्कुरुते नरम्। न साम्ना शक्यते कीर्तिर्न साम्ना शक्यते यशः॥ १६॥ प्राप्तुं लक्ष्मण लोकेऽस्मिञ्जयो वा रणमूर्धनि। अद्य मद्बाणनिर्भग्नैर्मकरैर्मकरालयम्॥ १७॥ निरुद्धतोयं सौमित्रे प्लवद्भिः पश्य सर्वतः। भोगिनां पश्य भोगानि मया भिन्नानि लक्ष्मण॥ १८॥ महाभोगानि मत्स्यानां करिणां च करानिह। सशङ्खशुक्तिकाजालं समीनमकरं तथा॥ १९॥ अद्य युद्धेन महता समुद्रं परिशोषये। क्षमया हि समायुक्तं मामयं मकरालयः॥ २०॥ असमर्थं विजानाति धिक् क्षमामीदृशे जने। न दर्शयति साम्ना मे सागरो रूपमात्मनः॥ २१॥

Meaning

“Oh the vanity of Ocean, who does not reveal himself in person (before me)! Indeed calmness (forbearance) and forgiveness, also guilelessness and politeness of speech—these virtues of the noble are mis-construed as weakness, when directed towards those bereft of these virutes. The world treats with respect a man who indulges in self-praise, is vile and impudent, runs about advertising himself and uses the rod of punishment everywhere indiscriminately. Neither fame nor popularity nor victory in the forefront of battle can be won in this world through a policy of conciliation, O Lakṣmana! See today the deep (lit., the abode of alligators) with its water screened on all sides by alligators split asunder by my arrows and floating dead, O son of Sumitrā! Also see with your own eyes, O Lakṣmaṇa, the coils of aquatic serpents, the large bodies of alligators as well as the trunks of sea elephants dwelling here divided into parts by me. By waging a formidable war against the deity presiding over it today I shall dry up the sea with its conches and pearl-shells, fishes and alligators. This Ocean (lit., an abode of alligators) accounts me powerless, endowed as I am with forbearance. Out with forbearance shown to such an individual! Due to my mildness the sea does not reveal its personal form before me. (14—21)

चापमानय सौमित्रे शरांश्चाशीविषोपमान्। समुद्रं शोषयिष्यामि पद्भ्यां यान्तु प्लवंगमाः॥ २२॥

Meaning

“Therefore, bring me the bow and arrows resembling venomous snake, O son of Sumitrā! I shall presently dry up the sea. Let the monkeys proceed on foot to Laṅkā. (22)

अद्याक्षोभ्यमपि क्रुद्धः क्षोभयिष्यामि सागरम्। वेलासु कृतमर्यादं सहस्रोर्मिसमाकुलम्॥ २३॥

Meaning

“Provoked to anger I shall set into commotion the imperturbable sea, which though riotous with thousands of waves, has its limits fixed in the form of its shores. (23)

निर्मर्यादं करिष्यामि सायकैर्वरुणालयम्। महार्णवं क्षोभयिष्ये महादानवसंकुलम्॥ २४॥

Meaning

“I shall cause by my arrows the sea (lit., the abode of Varuṇa, the god of water) overstep its bounds and shall set into commotion the ocean, which is overcrowded with mighty demons.” (24)

एवमुक्त्वा धनुष्पाणिः क्रोधविस्फारितेक्षणः। बभूव रामो दुर्धर्षो युगान्ताग्निरिव ज्वलन्॥ २५॥

Meaning

Blazing like fire at the end of the world cycle on having spoken thus, his eyes dilated through anger, Śrī Rāma, who held a bow in has hand, assumed the aspect of one who is hard to overcome. (25)

सम्पीड्य च धनुर्घोरं कम्पयित्वा शरैर्जगत्। मुमोच विशिखानुग्रान् वज्रानिव शतक्रतुः॥ २६॥

Meaning

Forcibly bending his fearful bow (at one end), nay, gently stringing it and causing the world to tremble with its twang, he discharged fierce arrows as Indra (who is supposed to have performed a hundred horse-sacrifices as a condition precedent to his attaining that position) would hurl thunderbolts. (26)

ते ज्वलन्तो महावेगास्तेजसा सायकोत्तमाः। प्रविशन्ति समुद्रस्य जलं वित्रस्तपन्नगम्॥ २७॥

Meaning

Flaming with lustre his excellent arrows, full of great impetuosity, penetrated deep into the sea-water, striking the serpents with terror. (27)

तोयवेगः समुद्रस्य समीनमकरो महान्। स बभूव महाघोरः समारुतरवस्तथा॥ २८॥

Meaning

That great onrush of the sea-water with its fishes and alligators, assumed an exceptionally terrible aspect, attended as it was with the roaring of the wind. (28)

महोर्मिमालाविततः शङ्खशुक्तिसमावृतः। सधूमः परिवृत्तोर्मिः सहसासीन्महोदधिः॥ २९॥

Meaning

The ocean was all of a sudden covered all over with rows of mighty billows and overspread with conches and mothers-of-pearl; it was screened with smoke which rose from the flaming arrows as they entered into the waters and waves began to play on it. (29)

व्यथिताः पन्नगाश्चासन् दीप्तास्या दीप्तलोचनाः। दानवाश्च महावीर्याः पातालतलवासिनः॥ ३०॥

Meaning

Nay, serpents with flaming hoods and burning eyes, as well as Dānavas, who were endowed with extraordinary virility and had their abode in the depths of Pātāla, the nethermost subterranean region, felt oppressed. (30)

ऊर्मयः सिन्धुराजस्य सनक्रमकरास्तथा। विन्ध्यमन्दरसंकाशाः समुत्पेतुः सहस्रशः॥ ३१॥

Meaning

Waves of the ocean (lit., the ruler of rivers), which closely resembled the Vindhya and Mandara mountains in height, rose high in thousands alongwith crocodiles and alligators. (31)

आघूर्णिततरङ्गौघः सम्भ्रान्तोरगराक्षसः। उद्वर्तितमहाग्राहः सघोषो वरुणालयः॥ ३२॥

Meaning

With its multitudes of waves tossed in a whirling motion, the Nāgas and ogres (inhabiting it) excited and huge alligators thrown upwards, the sea (lit., the abode of Varuṇa, the god of water, emitted a roar. (32)

ततस्तु तं राघवमुग्रवेगं प्रकर्षमाणं धनुरप्रमेयम्। सौमित्रिरुत्पत्य विनिःश्वसन्तं मामेति चोक्त्वा धनुराललम्बे॥ ३३॥

Meaning

Rushing towards the celebrated Śrī Rāma (a scion of Raghu)—who in his burning ardour was violently stretching once more his bow, which was immeasurably great, and breathing hard through anger—and saying “no farther, no farther”, Lakṣmaṇa seized hold of the bow. (33)

एतद्विनापि ह्युदधेस्तवाद्य सम्पत्स्यते वीरतमस्य कार्यम्। भवद्विधाः क्रोधवशं न यान्ति दीर्घं भवान् पश्यतु साधुवृत्तम्॥ ३४॥

Meaning

“Your purpose of taking the monkeys across the sea will surely be accomplished today (he continued) even without drying up the sea, the greatest hero as you are. People like you do not fall under the sway of anger. Therefore, devise some other noble and durable way of taking your army across the sea.” (34)

अन्तर्हितैश्चापि तथान्तरिक्षे ब्रह्मर्षिभिश्चैव सुरर्षिभिश्च। शब्दः कृतः कष्टमिति ब्रुवद्भि- र्मामेति चोक्त्वा महता स्वरेण॥ ३५॥

Meaning

Nay, an alarm was raised at a high pitch by Brāhmaṇa Ṛṣis and celestial Ṛṣis too, who stood invisible in the sky, saying “Woe is me!” and crying “Hold! Hold!!” (35)

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