Uttara Kanda, Sarga 26
स तु तत्र दशग्रीवः सह सैन्येन वीर्यवान्। अस्तं प्राप्ते दिनकरे निवासं समरोचयत्॥ १॥
Meaning
The sun having set, that powerful ten-headed monster for his part chose to encamp there with his army. (1)
उदिते विमले चन्द्रे तुल्यपर्वतवर्चसि। प्रसुप्तं सुमहत् सैन्यं नानाप्रहरणायुधम्॥ २॥
Meaning
When the cloudless moon, equal in splendour to the mountain on which it appeared, had risen, the huge army, equipped with various arms, lay fast asleep. (2)
रावणस्तु महावीर्यो निषण्णः शैलमूर्धनि। स ददर्श गुणांस्तत्र चन्द्रपादपशोभितान्॥ ३॥
Meaning
Resting on the top of the hill, the exceptionally powerful and notorious Rāvaṇa for his part surveyed the charms of the mountain brought into relief by the moon and the trees. (3)
कर्णिकारवनैर्दीप्तैः कदम्बबकुलैस्तथा। पद्मिनीभिश्च फुल्लाभिर्मन्दाकिन्या जलैरपि॥ ४॥ चम्पकाशोकपुंनागमन्दारतरुभिस्तथा। चूतपाटललोध्रैश्च प्रियङ्ग्वर्जुनकेतकैः॥ ५॥ तगरैर्नारिकेलैश्च प्रियालपनसैस्तथा। एतैरन्यैश्च तरुभिरुद्भासितवनान्तरे॥ ६॥ किन्नरा मदनेनार्ता रक्ता मधुरकण्ठिनः। समं सम्प्रजगुर्यत्र मनस्तुष्टिविवर्धनम्॥ ७॥
Meaning
On that mountain—whose forest recesses were adorned with brilliant Karṇikāra groves as also Kadamba and Vakula trees, lotus ponds full of the waters of the Mandākinī and spotted with full blown flowers, Campaka, Aśoka, Punnāga and Mandāra trees and with mango, Pāṭala, and Lodhra as well as with Priyaṅgu, Arjuna and Ketaka, Tagara, coconut, Priyāla, Panasa (bread-fruit) and other trees—love-stricken and sweet-throated Kinnaras beautifully sang with emotion in concert melodies which intensified the delight of one’s mind. (4—7)
विद्याधरा मदक्षीबा मदरक्तान्तलोचनाः। योषिद्भिः सह संक्रान्ताश्चिक्रीडुर्जहृषुश्च वै॥ ८॥
Meaning
Intoxicated with drink, the corners of their eyes reddened by drunkenness, Vidyādharas (celestial artistes) mingled with their consorts actually sported and made merry. (8)
घण्टानामिव संनादः शुश्रुवे मधुरस्वनः। अप्सरोगणसङ्घानां गायतां धनदालये॥ ९॥
Meaning
Like the ringing of bells, the sweet melody of troupes of celestial nymphs singing in the mansion of Kubera (the bestower of riches) was heard. (9)
पुष्पवर्षाणि मुञ्चन्तो नगाः पवनताडिताः। शैलं तं वासयन्तीव मधुमाधवगन्धिनः॥ १०॥
Meaning
Raining showers of flowers when shaken by the winds, trees, bearing the fragrance of all vernal flowers, were perfuming the said mountain, as it were. (10)
मधुपुष्परजःपृक्तं गन्धमादाय पुष्कलम्। प्रववौ वर्धयन् कामं रावणस्य सुखोऽनिलः॥ ११॥
Meaning
Wafting the copious fragrance mixed with the pollen as well as the honey of flowers, a delightful breeze gently blew inflaming the concupiscence of Rāvaṇa. (11)
गेयात् पुष्पसमृद्ध्या च शैत्याद् वायोर्गिरेर्गुणात्। प्रवृत्तायां रजन्यां च चन्द्रस्योदयनेन च॥ १२॥ रावणः स महावीर्यः कामस्य वशमागतः। विनिःश्वस्य विनिःश्वस्य शशिनं समवैक्षत॥ १३॥
Meaning
By reason of the music, the wealth of blossom, the coolness of the wind, the charm of the hill and the rising of the moon, now that the night had commenced, the aforesaid Rāvaṇa, who was exceptionally powerful, fell a prey to concupiscence. Sighing again and again, he gazed at the moon. (12-13)
एतस्मिन्नन्तरे तत्र दिव्याभरणभूषिता। सर्वाप्सरोवरा रम्भा पूर्णचन्द्रनिभानना॥ १४॥ दिव्यचन्दनलिप्ताङ्गी मन्दारकृतमूर्धजा। दिव्योत्सवकृतारम्भा दिव्यपुष्पविभूषिता॥ १५॥ चक्षुर्मनोहरं पीनं मेखलादामभूषितम्। समुद्वहन्ती जघनं रतिप्राभृतमुत्तमम्॥ १६॥ कृतैर्विशेषकैरार्द्रैः षडर्तुकुसुमोद्भवैः। बभावन्यतमेव श्रीः कान्तिश्रीद्युतिकीर्तिभिः॥ १७॥ नीलं सतोयमेघाभं वस्त्रं समवगुण्ठिता। यस्या वक्त्रं शशिनिभं भ्रुवौ चापनिभे शुभे॥ १८॥ ऊरू करिकराकारौ करौ पल्लवकोमलौ। सैन्यमध्येन गच्छन्ती रावणेनोपलक्षिता॥ १९॥
Meaning
In the meantime appeared there Rambhā, the foremost of all celestial nymphs, decked with celestial jewels, whose face resembled the full moon, whose limbs were smeared with ethereal sandal-paste, whose tresses were adorned with heavenly Mandāra flowers, who had just commenced her journey to revel in a heavenly joy and was adorned with heavenly flowers, who was distinguished by soul-captivating eyes and fleshy hips decked with a girdle, which she carried as an excellent gift of love as it were, and who, what with wet ornaments made of flowers of all the six seasons, and what with her splendour, elegance, brilliance and fame, shone like another Śrī (the goddess of fortune); whose face shone like the moon, whose beautiful eyebrows resembled two bows, whose thighs were shaped like the trunk of an elephant and whose hands were soft like tender leaves, and who, wearing as she did, a blue sari resembling a rainy cloud, was perceived by Rāvaṇa while passing through his army. (14—19)
तां समुत्थाय गच्छन्तीं कामबाणवशं गतः। करे गृहीत्वा लज्जन्तीं स्मयमानोऽभ्यभाषत॥ २०॥
Meaning
Springing on his feet, and holding her by the hand as she was wending her way blushing, Rāvaṇa, who had fallen a prey to the darts of love, then smilingly spoke to her (as follows): (20)
क्व गच्छसि वरारोहे कां सिदिं्ध भजसे स्वयम्। कस्याभ्युदयकालोऽयं यस्त्वां समुपभोक्ष्यते॥ २१॥
Meaning
“Where are you going, O lady of lovely limbs? Whose cherished object are you seeking to accomplish by yourself? Whose is the hour of good fortune approaching, who is going to enjoy you? (21)
त्वदाननरसस्याद्य पद्मोत्पलसुगन्धिनः। सुधामृतरसस्येव कोऽद्य तृप्तिं गमिष्यति॥ २२॥
Meaning
“Who will be sated today by quaffing the nectar of nectars in the shape of the sweetness of your lips bearing the fragrance of the lotus and the lily? (22)
स्वर्णकुम्भनिभौ पीनौ शुभौ भीरु निरन्तरौ। कस्योरःस्थलसंस्पर्शं दास्यतस्ते कुचाविमौ॥ २३॥
Meaning
“To whose bosom are these fully developed, beautiful and closely set breasts of yours, resembling a pair of gold pitchers, going to give their blessed touch, O timid one? (23)
सुवर्णचक्रप्रतिमं स्वर्णदामचितं पृथु। अध्यारोक्ष्यति कस्तेऽद्य जघनं स्वर्गरूपिणम्॥ २४॥
Meaning
“Who is going to bestride today your broad hips resembling a disc of gold, encircled by a girdle of gold and which is heaven incarnate? (24)
मद्विशिष्टः पुमान् कोऽद्य शक्रो विष्णुरथाश्विनौ। मामतीत्य हि यच्च त्वं यासि भीरु न शोभनम्॥ २५॥
Meaning
“What male is superior to me today—be he Indra (the ruler of gods), Lord Viṣṇu (the Protector of the universe) or the Aświns (the twin-born gods who are the physicians of gods)? Nay, it is surely not good that you are passing by me, O timid one! (25)
विश्रम त्वं पृथुश्रोणि शिलातलमिदं शुभम्। त्रैलोक्ये यः प्रभुश्चैव मदन्यो नैव विद्यते॥ २६॥
Meaning
“Rest awhile on this lovely rock, O lady of shapely hips! Nay, he who lords it over the three worlds is certainly no other than myself. (26)
तदेवं प्राञ्जलिः प्रह्वो याचते त्वां दशाननः। भर्तुर्भर्ता विधाता च त्रैलोक्यस्य भजस्व माम्॥ २७॥
Meaning
With joined palms Rāvaṇa, the ten-headed monster, who is the master of the lords of the three worlds as well as their sustainer, submissively supplicates you in this way. Pray, therefore accept me.” (27)
एवमुक्ताब्रवीद् रम्भा वेपमाना कृताञ्जलिः। प्रसीद नार्हसे वक्तुमीदृशं त्वं हि मे गुरुः॥ २८॥
Meaning
Shaking, when spoken to in these words, Rambhā replied with joined palms, “Be gracious to me; you ought not to speak in this strain, since you are my elder. (28)
अन्येभ्योऽपि त्वया रक्ष्या प्राप्नुयां धर्षणं यदि। तद्धर्मतः स्नुषा तेऽहं तत्त्वमेतद् ब्रवीमि ते॥ २९॥
Meaning
“I stand in the relation of a daughter-in-law to you from the legal point of view: I tell you this truth. Hence I deserve to be protected by you even from others if I suffer violence at their hands.” (29)
अथाब्रवीद् दशग्रीवश्चरणाधोमुखीं स्थिताम्। रोमहर्षमनुप्राप्तां दृष्टमात्रेण तां तदा॥ ३०॥
Meaning
Rāvaṇa, the ten-headed monster, then said to Rambhā, who stood with her face downcast, her eyes focussed on her feet, and experienced horripilation at his mere sight: (30)
सुतस्य यदि मे भार्या ततस्त्वं हि स्नुषा भवेः। बाढमित्येव सा रम्भा प्राह रावणमुत्तरम्॥ ३१॥
Meaning
“If you are my son’s wife, then only you can be my daughter-in-law.” “Indeed!” said the celebrated Rambhā in reply to Rāvaṇa. (31)
धर्मतस्ते सुतस्याहं भार्या राक्षसपुङ्गव। पुत्रः प्रियतरः प्राणैर्भ्रातुर्वैश्रवणस्य ते॥ ३२॥
Meaning
“I am lawfully the wife of your son, O bull among the ogres! He is a son of your brother, Kubera (son of Viśravā), dearer to him than his own life. (32)
विख्यातस्त्रिषु लोकेषु नलकूबर इत्ययम्। धर्मतो यो भवेद् विप्रः क्षत्रियो वीर्यतो भवेत्॥ ३३॥ क्रोधाद् यश्च भवेदग्निः क्षान्त्या च वसुधासमः। तस्यास्मि कृतसंकेता लोकपालसुतस्य वै॥ ३४॥
Meaning
“He is widely known in all the three worlds as Nalakūbara. I have actually made an appointment to meet that son of a guardian of the world, who is a Brāhmaṇa from the legal point of view (sprung as he is from the loins of a Brāhmaṇa) but who is a Kṣatriya in respect of valour, nay, who is a fire in wrath but a compeer of Mother Earth in forbearance. (33-34)
तमुद्दिश्य तु मे सर्वं विभूषणमिदं कृतम्। यथा तस्य हि नान्यस्य भावो मां प्रति तिष्ठति॥ ३५॥
Meaning
“All this decoration has been made by me for his sake alone. Precisely as his heart is set on me as on none else, my heart too is set on him alone. (35)
तेन सत्येन मां राजन् मोक्तुमर्हस्यरिंदम। स हि तिष्ठति धर्मात्मा मां प्रतीक्ष्य समुत्सुकः॥ ३६॥
Meaning
“Since that pious-minded soul stands eagerly waiting for me, O scourge of your foes, you should let me go, O king, on the basis of this truth. (36)
तत्र विघ्नं तु तस्येह कर्तुं नार्हसि मुञ्च माम्। सद्भिराचरितं मार्गं गच्छ राक्षसपुङ्गव॥ ३७॥
Meaning
“Certainly you ought not to thwart this purpose of his; therefore leave me. Walk in the path trodden by the virtuous, O bull among the ogres. (37)
माननीयो मम त्वं हि पालनीया तथास्मि ते। एवमुक्तो दशग्रीवः प्रत्युवाच विनीतवत्॥ ३८॥
Meaning
“Inasmuch as you deserve to be honoured by me, I likewise deserve to be protected by you.” Spoken to in these words by her, Rāvaṇa, the ten-headed monster, replied like a humble man as follows: (38)
स्नुषास्मि यदवोचस्त्वमेकपत्नीष्वयं क्रमः। देवलोकस्थितिरियं सुराणां शाश्वती मता॥ ३९॥ पतिरप्सरसां नास्ति न चैकस्त्रीपरिग्रहः। एवमुक्त्वा स तां रक्षो निवेश्य च शिलातले॥ ४०॥ कामभोगाभिसंरक्तो मैथुनायोपचक्रमे। सा विमुक्ता ततो रम्भा भ्रष्टमाल्यविभूषणा॥ ४१॥ गजेन्द्राक्रीडमथिता नदीवाकुलतां गता। लुलिताकुलकेशान्ता करवेपितपल्लवा॥ ४२॥ पवनेनावधूतेव लता कुसुमशालिनी। सा वेपमाना लज्जन्ती भीता करकृताञ्जलिः॥ ४३॥ नलकूबरमासाद्य पादयोर्निपपात ह। तदवस्थां च तां दृष्ट्वा महात्मा नलकूबरः॥ ४४॥ अब्रवीत् किमिदं भद्रे पादयोः पतितासि मे। सा वै निःश्वसमाना तु वेपमाना कृताञ्जलिः॥ ४५॥ तस्मै सर्वं यथातत्त्वमाख्यातुमुपचक्रमे। एष देव दशग्रीवः प्राप्तो गन्तुं त्रिविष्टपम्॥ ४६॥ तेन सैन्यसहायेन निशेयं परिणामिता। आयान्ती तेन दृष्टास्मि त्वत्सकाशमरिंदम॥ ४७॥
Meaning
“The plea which you have given in the words, ‘I am your daughter-in-law’ holds good in the case of those who have only one husband. Celestial nymphs have no husband nor are gods committed to a single wife; such is the eternal law obtaining in the realm of gods.” Saying so and laying her on the rock, the ogre, who was excessively fond of gratifying his lust, started copulating with her. Her ornaments of flowers having fallen off in the course of the embrace, Rambhā felt disturbed in mind like a river ruffled by the sport of a lordly elephant, and was then let go by Rāvaṇa. With the ends of her tresses dishevelled and tossed about, and her hands, resembling tender leaves, shaken, she looked like a creeper laden with flowers and shaken by the wind. Approaching Nalakūbara with joined palms, she fell at his feet, trembling with fear and feeling abashed. Nay, seeing her reduced to that condition, the magnanimous Nalakūbara said, “Blessed one, how is it that you have fallen at my feet?” Trembling and breathing hard, she for her part actually proceeded with joined palms to relate to him everything according to facts as follows: “Rāvaṇa (the ten-headed monster) has arrived on his way to heaven, my lord! The night has been spent by him in the company of his army here. While coming to your presence, O scourge of your foes, I was caught sight of by him. (39—47)
गृहीता तेन पृष्टास्मि कस्य त्वमिति रक्षसा। मया तु सर्वं यत् सत्यं तस्मै सर्वं निवेदितम्॥ ४८॥
Meaning
“Seizing hold of me, that ogre inquired of me, ‘To whom do you belong?’ For my part, all that was true was related by me to him. (48)
काममोहाभिभूतात्मा नाश्रौषीत् तद् वचो मम। याच्यमानो मया देव स्नुषा तेऽहमिति प्रभो॥ ४९॥ तत् सर्वं पृष्ठतः कृत्वा बलात् तेनास्मि धर्षिता। एवं त्वमपराधं मे क्षन्तुमर्हसि सुव्रत॥ ५०॥
Meaning
“His mind being overpowered by infatuation born of lust, he, however, would not listen to that plea of mine. Disregarding all that, O adorable one, even though he was being appealed to by me in the words: ‘I am your daughter-in-law’, I was violated by him perforce, my lord! You ought to condone my fault committed in such circumstances, O god of commendable vows! (49-50)
नहि तुल्यं बलं सौम्य स्त्रियाश्च पुरुषस्य हि। एतच्छ्रुत्वा तु संक्रुद्धस्तदा वैश्रवणात्मजः॥ ५१॥ धर्षणां तां परां श्रुत्वा ध्यानं सम्प्रविवेश ह। तस्य तत् कर्म विज्ञाय तदा वैश्रवणात्मजः॥ ५२॥ मुहूर्तात् क्रोधताम्राक्षस्तोयं जग्राह पाणिना। गृहीत्वा सलिलं सर्वमुपस्पृश्य यथाविधि॥ ५३॥ उत्ससर्ज तदा शापं राक्षसेन्द्राय दारुणम्। अकामा तेन यस्मात् त्वं बलात् भद्रे प्रधर्षिता॥ ५४॥ तस्मात् स युवतीमन्यां नाकामामुपयास्यति। यदा ह्यकामां कामार्तो धर्षयिष्यति योषितम्॥ ५५॥ मूर्धा तु सप्तधा तस्य शकलीभविता तदा। तस्मिन्नुदाहृते शापे ज्वलिताग्निसमप्रभे॥ ५६॥ देवदुन्दुभयो नेदुः पुष्पवृष्टिश्च खाच्च्युता। पितामहमुखाश्चैव सर्वे देवाः प्रहर्षिताः॥ ५७॥
Meaning
“A woman’s strength and that of a man are in no way equal. I beg you to forgive this offence of mine.” Nalakūbara (son of Kubera) for his part was enraged to hear this. Hearing of that great outrage, he then went into a trance: so the tradition goes (in order to verify the truth of the allegation). Having come to know of his aforesaid act after a short while, Nalakūbara (son of Kubera), his eyes inflamed with anger, then took water in his left hand. Holding the water in his hand and sprinkling with it all his sense-organs with due ceremony, he pronounced on that occasion the following terrible curse on Rāvaṇa, the ruler of ogres: “Since, O blessed lady, you stand violated by him perforce, unwilling as you were, he shall no longer be able to approach for sexual intercourse any other young woman who is unwilling to accept him. When, however, stricken with love, he will violate a woman who is unwilling to approach him, his head will actually be split into seven pieces that very moment.” When the aforesaid imprecation, which resembled a lighted fire, was uttered, the kettle-drums of gods sounded and an abundance of flowers were showered from the heavens. Nay, all the gods headed by Brahmā (the grandfather of the entire creation) were transported with joy. (51—57)
ज्ञात्वा लोकगतिं सर्वां तस्य मृत्युं च रक्षसः। ऋषयः पितरश्चैव प्रीतिमापुरनुत्तमाम्॥ ५८॥
Meaning
On coming to know in its entirety the fate of the world as well as of the ogre’s death, Rṣis (the seers of Vedic Mantras) as well as the manes experienced unsurpassed joy. (58)
श्रुत्वा तु स दशग्रीवस्तं शापं रोमहर्षणम्। नारीषु मैथुनीभावं नाकामास्वभ्यरोचयत्॥ ५९॥
Meaning
Hearing of the aforesaid execration, which caused his hair to stand on end, Rāvaṇa (the ten-headed monster) shunned any inclination to copulate with women who were unwilling to approach him. (59)
तेन नीताः स्त्रियः प्रीतिमापुः सर्वाः पतिव्रताः। नलकूबरनिर्मुक्तं शापं श्रुत्वा मनःप्रियम्॥ ६०॥
Meaning
All the ladies who were devoted to their husband and had been borne away by him experienced joy on hearing of the curse pronounced by Nalakūbara, which was pleasing to their mind. (60)
From the Gita Press, Gorakhpur edition. Buy the book