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Sundara Kanda, Sarga 5

ततः स मध्यंगतमंशुमन्तं ज्योत्स्नावितानं मुहुरुद्वमन्तम्। ददर्श धीमान् भुवि भानुमन्तं गोष्ठे वृषं मत्तमिव भ्रमन्तम्॥ १॥

Meaning

Thereupon the wise Hanumān beheld the moon arrived at the meridian and repeatedly spreading out the canopy of its light over the earth like the sun, and resembling a bull in rut ranging in a cow-pen. (1)

लोकस्य पापानि विनाशयन्तं महोदधिं चापि समेधयन्तम्। भूतानि सर्वाणि विराजयन्तं ददर्श शीतांशुमथाभियान्तम्॥ २॥

Meaning

He forthwith saw the moon dispelling the sins and the resultant afflictions of the world by shedding light everywhere and thereby minimizing the chances of sins being committed by the people, nay, swelling by drawing up tides in the ocean and giving light to all created beings while advancing in the heavens. (2)

या भाति लक्ष्मीर्भुवि मन्दरस्था यथा प्रदोषेषु च सागरस्था। तथैव तोयेषु च पुष्करस्था रराज सा चारुनिशाकरस्था॥ ३॥

Meaning

The same splendour which is visible on Mount Mandāra on earth, which plays during evenings on the sea, and which rests on a lotus in the waters shone forth in the delightful moon. (3)

हंसो यथा राजतपञ्जरस्थः सिंहो यथा मन्दरकन्दरस्थः। वीरो यथा गर्वितकुञ्जरस्थ- श्चन्द्रोऽपि बभ्राज तथाम्बरस्थः॥ ४॥

Meaning

The moon shone forth in the heavens much in the same way as a swan displays its charm in a silvery cage, as a lion in a cave of Mount Mandāra and as a hero mounted on a proud elephant. (4)

स्थितः ककुद्मानिव तीक्ष्णशृङ्गो महाचलः श्वेत इवोर्ध्वशृङ्गः। हस्तीव जाम्बूनदबद्धशृङ्गो विभाति चन्द्रः परिपूर्णशृङ्गः॥ ५॥

Meaning

The full moon with its horn-like spot fully developed looked exceptionally charming like a bull with pointed horns, like the great white mountain, Himālaya, so-called because of its remaining clothed with snow, with its lofty peaks and like an elephant with gold-plated tusks. (5)

विनष्टशीताम्बुतुषारपङ्को महाग्रहग्राहविनष्टपङ्कः। प्रकाशलक्ष्म्याश्रयनिर्मलाङ्को रराज चन्द्रो भगवान् शशाङ्कः॥ ६॥

Meaning

The glorious moon bearing the earth’s shadow in the form of a hare-like figure in the bosom of its orb—whose stain in the form of cold water and frost (which are supposed to have their origin in the moon, the storehouse of cold) had been washed away due to proximity to the equator, nay, by whom stain in the form of darkness had been wiped away through the reflection of the rays of the sun (the big star) and whose spot had turned resplendent through the wealth of its effulgence shone brightly. (6)

शिलातलं प्राप्य यथा मृगेन्द्रो महारणं प्राप्य यथा गजेन्द्रः। राज्यं समासाद्य यथा नरेन्द्र- स्तथा प्रकाशो विरराज चन्द्रः॥ ७ ॥

Meaning

The radiant moon looked exceptionally splendid in the same way as the king of beasts on ascending the level surface of a rock, as a lordly elephant on penetrating deep into a large forest and a ruler of men on duly reaching his own kingdom. (7)

प्रकाशचन्द्रोदयनष्टदोषः प्रवृद्धरक्षःपिशिताशदोषः। रामाभिरामेरितचित्तदोषः स्वर्गप्रकाशो भगवान् प्रदोषः॥ ८ ॥

Meaning

The glorious evening, the evil attaching to which in the form of darkness, which gives an incentive to the commission of dark deeds, has been dispelled by the appearance of the bright moon, nay, whose other blot in the form of flesh-eating by ogres has been intensified, and in which the bitterness of mind caused by unrequited love of young women and their lovers is wiped away, scattered bliss. (8)

तन्त्रीस्वराः कर्णसुखाः प्रवृत्ताः स्वपन्ति नार्यः पतिभिः सुवृत्ताः। नक्तंचराश्चापि तथा प्रवृत्ता विहर्तुमत्यद्भुतरौद्रवृत्ताः ॥ ९॥

Meaning

The strains of the lute, delightful to the ear, have started. Women of good moral character are sleeping with their husbands. Nay, rangers of the night too of very strange and violent behaviour have likewise started disporting themselves. (9)

मत्तप्रमत्तानि समाकुलानि रथाश्वभद्रासनसंकुलानि। वीरश्रिया चापि समाकुलानि ददर्श धीमान् स कपिः कुलानि॥ १०॥

Meaning

The sagacious Hanumān beheld there mansions of arrogant and intoxicated ogres connected together, nay, crowded with chariots, horses and seats of gold and also full of fortune enjoyed by heroes. (10)

परस्परं चाधिकमाक्षिपन्ति भुजांश्च पीनानधिविक्षिपन्ति। मत्तप्रलापानधिविक्षिपन्ति मत्तानि चान्योन्यमधिक्षिपन्ति॥ ११॥

Meaning

The proud ogres railed at one another in profusion and even threw about their stout arms too in a bellicose spirit, uttered wild and incoherent words and insulted one another. (11)

रक्षांसि वक्षांसि च विक्षिपन्ति गात्राणि कान्तासु च विक्षिपन्ति। रूपाणि चित्राणि च विक्षिपन्ति दृढानि चापानि च विक्षिपन्ति॥ १२॥

Meaning

Nay, the ogres smote their breasts as a form of exercise and lovingly placed their hands and other limbs on the person of their beloved ones. They also put on various garbs to please their wives and drew their strong bows by way of practice. (12)

ददर्श कान्ताश्च समालभन्त्य- स्तथापरास्तत्र पुनः स्वपन्त्यः। सुरूपवक्त्राश्च तथा हसन्त्यः क्रुद्धाः पराश्चापि विनिःश्वसन्त्यः॥ १३॥

Meaning

Hanumān further observed that lovely women were applying sandal-paste on their bodies, while others in those mansions were lying asleep. Some with a lovely exterior and countenance were laughing whereas still others, who had been angered through love were hissing like an angry serpent. (13)

महागजैश्चापि तथा नदद्भिः सुपूजितैश्चापि तथा सुसद्भिः। रराज वीरैश्च विनिःश्वसद्भि- र्ह्रदा भुजंगैरिव निःश्वसद्भिः॥ १४॥

Meaning

Nay, with its trumpeting huge elephants, and likewise with its highly virtuous souls like Vibhīṣaṇa greatly adored as well as with its hissing heroes, the city of Laṅkā looked charming like lakes infested, inter alia, with hissing serpents. (14)

बुद्धिप्रधानान् रुचिराभिधानान् संश्रद्दधानाञ्जगतः प्रधानान्। नानाविधानान् रुचिराभिधानान् ददर्श तस्यां पुरि यातुधानान्॥ १५॥

Meaning

Hanumān beheld in that city Yatudhānas, who were predominantly intellectual, who were sweet of expression, fully devout and pre-eminent in the world, nay, who were dressed in various garbs and were called by charming names. (15)

ननन्द दृष्ट्वा स च तान् सुरूपान् नानागुणानात्मगुणानुरूपान्। विद्योतमानान् स च तान् सुरूपान् ददर्श कांश्चिच्च पुनर्विरूपान्॥ १६॥

Meaning

He rejoiced to see the latter, who were comely of form and endowed with many virtues and who behaved in consonance with their virtues. Nay, he found those who were comely of form, even though some were misshapen, shining brightly. (16)

ततो वरार्हाः सुविशुद्धभावा- स्तेषां स्त्रियस्तत्र महानुभावाः। प्रियेषु पानेषु च सक्तभावा ददर्श तारा इव सुस्वभावाः॥ १७॥

Meaning

He then saw their womenfolk, who were deserving of excellent attire and ornaments, were exceedingly pure-hearted and dignified, whose mind was enamoured of their beloved ones as well as of beverages, who shone like stars and were of excellent disposition. (17)

स्त्रियो ज्वलन्तीस्त्रपयोपगूढा निशीथकाले रमणोपगूढाः। ददर्श काश्चित् प्रमदोपगूढा यथा विहंगा विहगोपगूढाः॥ १८॥

Meaning

He further beheld some women who shone brightly with their wealth of beauty and character and were adorned with bashfulness, who were embraced at dead of night by their husbands like female birds by their mates and were filled with excessive joy. (18)

अन्याः पुनर्हर्म्यतलोपविष्टा- स्तत्र प्रियाङ्केषु सुखोपविष्टाः। भर्तुः परा धर्मपरा निविष्टा ददर्श धीमान् मदनोपविष्टाः॥ १९॥

Meaning

The wise Hanumān saw still other women, who were highly esteemed in the eyes of their husbands, were devoted to their duty towards their husbands and had been lawfully married to them and were possessed by love—perched on the roof of their mansions and seated most comfortably in the lap of their beloved ones. (19)

अप्रावृताः काञ्चनराजिवर्णाः काश्चित्परार्घ्यास्तपनीयवर्णाः। पुनश्च काश्चिच्छशलक्ष्मवर्णाः कान्तप्रहीणा रुचिराङ्गवर्णाः॥ २०॥

Meaning

Again there were some women possessing the hue of a golden streak and shorn of their outer garment, while some other highly excellent women possessed the hue of refined gold. Some more, who had been disunited from their husbands, were pale as the moon, though possessed of a lovely complexion. (20)

ततः प्रियान् प्राप्य मनोऽभिरामान् सुप्रीतियुक्ताः सुमनोऽभिरामाः। गृहेषु हृष्टाः परमाभिरामा हरिप्रवीरः स ददर्श रामाः॥ २१॥

Meaning

The said Hanumān, the foremost hero among the monkeys, then saw most charming young women happy in their homes and filled with great delight to meet their beloved ones—who were highly pleasing to their mind—and lovely with flowers on their person. (21)

चन्द्रप्रकाशाश्च हि वक्त्रमाला वक्राः सुपक्ष्माश्च सुनेत्रमालाः। विभूषणानां च ददर्श मालाः शतह्रदानामिव चारुमालाः॥ २२॥

Meaning

He also observed rows of faces shining as the moon, nay, rows of shapely oblique eyes with beautiful lashes and, even so, rows of ornaments resembling charming flashes of lightning. (22)

न त्वेव सीतां परमाभिजातां पथि स्थिते राजकुले प्रजाताम्। लतां प्रफुल्लामिव साधुजातां ददर्श तन्वीं मनसाभिजाताम्॥ २३॥

Meaning

He, however, did not find anywhere the frail Sītā, sprung from the mind of the creator and supremely high-born—descended as she was in a royal house, the House of Nimi, fixed on the path of virtue, and resembling a lovely climber in full blossom. (23)

सनातने वर्त्मनि संनिविष्टां रामेक्षणीं तां मदनाभिविष्टाम्। भर्तुर्मनः श्रीमदनुप्रविष्टां स्त्रीभ्यः पराभ्यश्च सदा विशिष्टाम्॥ २४॥ उष्णार्दितां सानुसृतास्रकण्ठीं पुरा वरार्होत्तमनिष्ककण्ठीम्। सुजातपक्ष्मामभिरक्तकण्ठीं वने प्रनृत्तामिव नीलकण्ठीम्॥ २५॥ अव्यक्तरेखामिव चन्द्रलेखां पांसुप्रदिग्धामिव हेमरेखाम्। क्षतप्ररूढामिव वर्णरेखां वायुप्रभुग्नामिव मेघरेखाम्॥ २६॥ सीतामपश्यन्मनुजेश्वरस्य रामस्य पत्नीं वदतां वरस्य। बभूव दुःखोपहतश्चिरस्य प्लवंगमो मन्द इवाचिरस्य॥ २७॥

Meaning

Hanumān at once turned languid, as it were, afflicted as he was with sorrow, on not finding, even after striving for a long time, the celebrated Sītā, the consort of Śrī Rāma, a ruler of men, the best of speakers, Sītā, who was firmly established in the eternal path of devotion to her husband, who had her eyes fixed on Śrī Rāma alone, who was possessed by love for Śrī Rāma, who had penetrated deep into the dignified mind of her spouse and was ever exalted above all other women; who was tormented with anguish born of separation from her consort, whose throat was choked with tears incessantly flowing from her eyes, whose neck was heretofore adorned with an excellent gold ornament worthy of the foremost, who was distinguished by beautiful eyelashes, who had a charming throat and when united with her spouse resembled a pea-hen merrily dancing in a forest; who in her soiled clothes and unclean person in her captivity shone like the crescent with its outline blurred due to its being screened by a cloud or a streak of gold soiled with dust, was prominent like a scar left by a wound (serving as a reminder of the injury sustained by Śrī Rāma in the shape of her abduction) and who, while being carried to Laṅkā, shone like the streak of a cloud swept by the wind. (24—27)

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