Ayodhya Kanda, Sarga 60
ततो भूतोपसृष्टेव वेपमाना पुनः पुनः। धरण्यां गतसत्त्वेव कौसल्या सूतमब्रवीत्॥ १॥
Meaning
Trembling again and again as though possessed by a spirit, and lying on the floor as though life had departed from her, Kausalyā thereupon spoke to Sumantra as follows : (1)
नय मां यत्र काकुत्स्थः सीता यत्र च लक्ष्मणः। तान् विना क्षणमप्यद्य जीवितुं नोत्सहे ह्यहम्॥ २॥
Meaning
“Take me to the place where Rāma (a scion of Kakutstha), Sītā and Lakṣmaṇa happen to be; for without them I cannot bear to live even for a moment longer today. (2)
निवर्तय रथं शीघ्रं दण्डकान् नय मामपि। अथ तान् नानुगच्छामि गमिष्यामि यमक्षयम्॥ ३॥
Meaning
“Quickly take the chariot back and convey me too to the Daṇḍaka forest. In case I do not follow them, I will proceed to the abode of Death.” (3)
बाष्पवेगोपहतया स वाचा सज्जमानया। इदमाश्वासयन् देवीं सूतः प्राञ्जलिरब्रवीत्॥ ४॥
Meaning
Seeking to comfort the queen, the aforesaid charioteer submitted to her with folded hands as follows in a faltering voice choked with an upsurge of tears : (4)
त्यज शोकं च मोहं च सम्भ्रमं दुःखजं तथा। व्यवधूय च संतापं वने वत्स्यति राघवः॥ ५॥
Meaning
“Abandon grief and infatuation as well as agitation born of sorrow; for, shaking off agony, Śrī Rāma (a scion of Raghu) will take up his abode in the forest. (5)
लक्ष्मणश्चापि रामस्य पादौ परिचरन् वने। आराधयति धर्मज्ञः परलोकं जितेन्द्रियः॥ ६॥
Meaning
“Serving the feet of Śrī Rāma in the forest, Lakṣmaṇa too, who knows what is right and has subdued his senses, is straightening his path to the other world thereby. (6)
विजनेऽपि वने सीता वासं प्राप्य गृहेष्विव। विस्रम्भं लभतेऽभीता रामे विन्यस्तमानसा॥ ७॥
Meaning
“Getting her abode even in a lonely forest, Sītā, whose mind stands focussed on Śrī Rāma, remains undaunted and enjoys composure as if she were in her own house. (7)
नास्या दैन्यं कृतं किंचित् सुसूक्ष्ममपि लक्ष्यते। उचितेव प्रवासानां वैदेही प्रतिभाति मे॥ ८॥
Meaning
“Not the faintest dejection of any kind caused by her exile is traceable in her. The daughter of Janaka, the ruler of the Videha kingdom, appears to me as though accustomed to staying away from home now and then. (8)
नगरोपवनं गत्वा यथा स्म रमते पुरा। तथैव रमते सीता निर्जनेषु वनेष्वपि॥ ९॥
Meaning
“Sītā finds as much delight in lonely forests as she used to do in the past whenever she visited the groves in the precincts of the city. (9)
बालेव रमते सीताबालचन्द्रनिभानना। रामा रामे ह्यदीनात्मा विजनेऽपि वने सती॥ १०॥
Meaning
“The charming and virtuous Sītā, whose countenance shone like the full moon and who was ever undepressed in spirits, surely found delight as a girl even in the lonely forest in the presence of Śrī Rāma. (10)
तद्गतं हृदयं यस्यास्तदधीनं च जीवितम्। अयोध्या हि भवेदस्या रामहीना तथा वनम्॥ ११॥
Meaning
“Devoid of Śrī Rāma, however, Ayodhyā too would be no better than a forest to Sītā, whose heart is intent on him and whose life is dependent on him. (11)
परिपृच्छति वैदेही ग्रामांश्च नगराणि च। गतिं दृष्ट्वा नदीनां च पादपान् विविधानपि॥ १२॥
Meaning
“Seeing villages and cities too as well as the flow of rivers as also trees of every description, Sītā, a princess of the Videha clan, makes inquiries concerning them of Rāma or Lakṣmaṇa, whoever is by her side. (12)
रामं वा लक्ष्मणं वापि दृष्ट्वा जानाति जानकी। अयोध्या क्रोशमात्रे तु विहारमिव साश्रिता॥ १३॥
Meaning
“Finding Śrī Rāma or Lakṣmaṇa beside her, the daughter of Janaka feels that she is, as it were, on a visit to a pleasure-garden only a couple of miles away from Ayodhyā. (13)
इदमेव स्मराम्यस्याः सहसैवोपजल्पितम्। कैकेयीसंश्रितं जल्पं नेदानीं प्रतिभाति माम्॥ १४॥
Meaning
“I remember only this much pertaining to Sītā. The remark uttered by her only in an unguarded moment concerning Kaikeyī does not strike me just at present.” (14)
ध्वंसयित्वा तु तद् वाक्यं प्रमादात् पर्युपस्थितम्। ह्लादनं वचनं सूतो देव्या मधुरमब्रवीत्॥ १५॥
Meaning
Skipping over that reference that had escaped from his lips through inadvertence, the charioteer spoke the following agreeable words that brought delight to the queen : (15)
अध्वना वातवेगेन सम्भ्रमेणातपेन च। न विगच्छति वैदेह्याश्चन्द्रांशुसदृशी प्रभा॥ १६॥
Meaning
“The splendour of Sītā (a princess of the Videha clan), which resembles the moonlight, does not fade through fatigue of the journey, high velocity of the winds, agitation caused by the sight of fearful beasts etc., and the heat of the sun. (16)
सदृशं शतपत्रस्य पूर्णचन्द्रोपमप्रभम्। वदनं तद् वदान्याया वैदेह्या न विकम्पते॥ १७॥
Meaning
“The well-known face of sweet-speaking Sītā, a princess of the Videha Kingdom, which resembles a lotus and whose effulgence vies with that of the full moon, never fades. (17)
अलक्तरसरक्ताभावलक्तरसवर्जितौ। अद्यापि चरणौ तस्याः पद्मकोशसमप्रभौ॥ १८॥
Meaning
“Her soles, which, though no longer painted with Alakta (the red juice obtained from the resin of certain trees), still look red as Alakta and cast an effulgence akin to that of a lotus bud. (18)
नूपुरोत्कृष्टलीलेव खेलं गच्छति भामिनी। इदानीमपि वैदेही तद्रागान्यस्तभूषणा॥ १९॥
Meaning
“The high-minded Sītā (a princess of the Videha clan), who has not renounced her jewels out of love for Śrī Rāma, who is pleased to see her adorned, walks in a charming gait, as though outvying the cackling of swans by the music of her anklets. (19)
गजं वा वीक्ष्य सिंहं वा व्याघ्रं वा वनमाश्रिता। नाहारयति संत्रासं बाहू रामस्य संश्रिता॥ २०॥
Meaning
“Though living in the forest, she does not give way to fear on seeing an elephant or a lion or a tiger, fully relying as she does on the arms of Śrī Rāma. (20)
न शोच्यास्ते न चात्मा ते शोच्यो नापि जनाधिपः। इदं हि चरितं लोके प्रतिष्ठास्यति शाश्वतम्॥ २१॥
Meaning
“Neither they, nor your own self, nor the king deserves to be pitied. This story of Śrī Rāma will abide in the world forever. (21)
विधूय शोकं परिहृष्टमानसा महर्षियाते पथि सुव्यवस्थिताः। वने रता वन्यफलाशनाः पितुः शुभां प्रतिज्ञां प्रतिपालयन्ति ते॥ २२॥
Meaning
“Having shaken off grief, the three exiles, who are firmly established with a highly delighted mind on the path trodden by eminent sages and are enamoured of the forest, are fully implementing the sacred vow of their father, living on wild fruits etc., alone.” (22)
तथापि सूतेन सुयुक्तवादिना निवार्यमाणा सुतशोककर्शिता। न चैव देवी विरराम कूजितात् प्रियेति पुत्रेति च राघवेति च॥ २३॥
Meaning
Even though being forbidden in the aforesaid manner by the charioteer, who spoke highly reasonable words, queen Kausalyā, who was torn with grief caused by separation from her son, did not cease in the least from crying out: “O my darling ! O my son !! O scion of Raghu !!!” (23)
From the Gita Press, Gorakhpur edition. Buy the book