Kishkindha Kanda, Sarga 30
गृहं प्रविष्टे सुग्रीवे विमुक्ते गगने घनैः। वर्षरात्रे स्थितो रामः कामशोकाभिपीडितः॥ १॥
Meaning
Sugrīva having retired into his palace and the sky being completely free from clouds, Śrī Rāma, who had halted on Mount Prasravaṇa for the rainy nights only, felt agonized through love for Sītā and grief caused by separation from her. (1)
पाण्डुरं गगनं दृष्ट्वा विमलं चन्द्रमण्डलम्। शारदीं रजनीं चैव दृष्ट्वा ज्योत्स्नानुलेपनाम्॥ २॥ कामवृत्तं च सुग्रीवं नष्टां च जनकात्मजाम्। दृष्ट्वा कालमतीतं च मुमोह परमातुरः॥ ३॥
Meaning
Sore afflicted to see the sky pale and the orb of the moon free from clouds and to perceive the autumnal night too illumined with moonlight and also to find Sugrīva leading a life of sensuality and Sītā (the daughter of Janaka) lost for ever and to perceive the time fixed for taking up the search for Sītā having already elapsed, Śrī Rāma felt perplexed. (2-3)
स तु संज्ञामुपागम्य मुहूर्तान्मतिमान् नृपः। मनःस्थामपि वैदेहीं चिन्तयामास राघवः॥ ४॥
Meaning
Regaining his balance of mind after a while, the wise Śrī Rāma (a scion of Raghu), a protector of men, for his part, thought deeply of Sītā, even though she ever existed in his mind. (4)
दृष्ट्वा च विमलं व्योम गतविद्युद्बलाहकम्। सारसारावसंघुष्टं विललापार्तया गिरा॥ ५॥
Meaning
Nay, seeing the sky clear, free as it was from lightning and clouds, and resonant with the cries of cranes, Śrī Rāma lamented in plaintive tones. (5)
आसीनः पर्वतस्याग्रे हेमधातुविभूषिते। शारदं गगनं दृष्ट्वा जगाम मनसा प्रियाम्॥ ६॥
Meaning
Observing the autumnal sky, while seated on the top of the mountain, rendered picturesque with minerals of golden hue, Śrī Rāma mentally approached his darling, Sītā. (6)
सारसारावसंनादैः सारसारावनादिनी। याऽऽश्रमे रमते बाला साद्य मे रमते कथम्॥ ७॥
Meaning
He said to himself : ‘In what way does that youthful lady of mine—whose voice resembles the notes of a crane, nay, who diverted herself in the hermitage with the cries of cranes uttered with the intention of calling their mates—divert herself now? (7)
पुष्पितांश्चासनान् दृष्ट्वा काञ्चनानिव निर्मलान्। कथं सा रमते बाला पश्यन्ती मामपश्यती॥ ८॥
Meaning
‘Beholding the Asana trees in blossom, which were bright as gold, but not seeing me, how does that youthful lady divert herself? (8)
या पुरा कलहंसानां कलेन कलभाषिणी। बुध्यते चारुसर्वाङ्गी साद्य मे रमते कथम्॥ ९॥
Meaning
‘How does that lady of mine, who spoke in such sweet tones and was charming of every limb, and who used to wake up in the morning with the notes of swans, divert herself now? (9)
निःस्वनं चक्रवाकानां निशम्य सहचारिणाम्। पुण्डरीकविशालाक्षी कथमेषा भविष्यति॥ १०॥
Meaning
‘How will that lady with eyes as big as a lotus feel on hearing the cry of Cakravāka birds (the red geese) moving about in pairs? (10)
सरांसि सरितो वापीः काननानि वनानि च। तां विना मृगशावाक्षीं चरन्नाद्य सुखं लभे॥ ११॥
Meaning
‘I derive no more joy while roaming about on the brink of lakes, rivers and tanks and over woodlands and groves without that fawn-eyed lady. (11)
अपि तां मद्वियोगाच्च सौकुमार्याच्च भामिनीम्। सुदूरं पीडयेत् कामः शरद्गुणनिरन्तरः॥ १२॥
Meaning
‘Constantly intensified by the beauties of autumn, the pangs of love are, I am afraid, cruelly tormenting that beloved lady due to her separation from me and due to her tenderness.’ (12)
एवमादि नरश्रेष्ठो विललाप नृपात्मजः। विहंग इव सारङ्गः सलिलं त्रिदशेश्वरात्॥ १३॥
Meaning
In this and many other ways did Śrī Rāma (son of a monarch), a veritable jewel among men, wail after the manner of a Cātaka bird seeking water from Indra, the ruler of gods. (13)
ततश्चञ्चूर्य रम्येषु फलार्थी गिरिसानुषु। ददर्श पर्युपावृत्तो लक्ष्मीवाँल्लक्ष्मणोऽग्रजम्॥ १४॥
Meaning
Having duly returned after wandering hither and thither on the lovely mountain-peaks in quest of fruit, the charming Lakṣmaṇa presently saw his elder brother. (14)
स चिन्तया दुस्सहया परीतं विसंज्ञमेकं विजने मनस्वी। भ्रातुर्विषादात् त्वरितोऽतिदीनः समीक्ष्य सौमित्रिरुवाच दीनम्॥ १५॥
Meaning
Perceiving him in a lonely spot, desolate, absent-minded and miserable, nay, overcome with anxiety, which was difficult to endure, the high-minded Lakṣmaṇa, son of Sumitrā, who felt extremely wretched due to his brother’s despondency, quickly submitted to him as follows : (15)
किमार्य कामस्य वशंगतेन किमात्मपौरुष्यपराभवेन। अयं ह्रिया संह्रियते समाधिः किमत्र योगेन निवर्तते न॥ १६॥
Meaning
“What will be gained by you if you belittle your own virility allowing yourself to be over-powered by love? The composure of your mind is hereby being disturbed by grief. Can’t all your agony yield to concentration of mind at this juncture, O noble brother? (16)
क्रियाभियोगं मनसः प्रसादं समाधियोगानुगतं च कालम्। सहायसामर्थ्यमदीनसत्त्वः स्वकर्महेतुं च कुरुष्व तात॥ १७॥
Meaning
“Remaining undepressed in spirit, O dear brother, perform your daily duties in their entirety, have peace of mind and devote all your time to concentration of mind and enlist the help of the strong and increase your own strength, which is the only way to develop your manhood, O dear brother ! (17)
न जानकी मानववंशनाथ त्वया सनाथा सुलभा परेण। न चाग्निचूडां ज्वलितामुपेत्य न दह्यते वीर वरार्ह कश्चित्॥ १८॥
Meaning
“Having her protector in you, O lord of Manu’s race, Sītā (daughter of Janaka) cannot be easily retained by another. Hugging a blazing flame none would escape being burnt, O hero worth being adored even by the foremost !” (18)
सलक्षणं लक्ष्मणमप्रधृष्यं स्वभावजं वाक्यमुवाच रामः। हितं च पथ्यं च नयप्रसक्तं ससामधर्मार्थसमाहितं च॥ १९॥
Meaning
Śrī Rāma addressed the following words, characteristic of his innate disposition, to Lakṣmaṇa, who was endowed with auspicious bodily marks and could not be (easily) overpowered : “What you have said, is useful and salutary and in consonance with propriety and full of consolation, justice and earthly good. (19)
निस्संशयं कार्यमवेक्षितव्यं क्रियाविशेषोऽप्यनुवर्तितव्यः। न तु प्रवृद्धस्य दुरासदस्य कुमार वीर्यस्य फलं च चिन्त्यम्॥ २०॥
Meaning
“The work in hand viz., the search for Sītā should undoubtedly be attended to, and special efforts too should be made in this behalf. The reward alone, however, of our potent action, which is fully intensified and difficult to counteract, should not be thought of, O prince !” (20)
अथ पद्मपलाशाक्षीं मैथिलीमनुचिन्तयन्। उवाच लक्ष्मणं रामो मुखेन परिशुष्यता॥ २१॥
Meaning
Recalling to mind Sītā (a princess of Mithilā), whose eyes resembled the petals of a lotus, Śrī Rāma with a withering face then spoke once more to Lakṣmaṇa as follows: (21)
तर्पयित्वा सहस्राक्षः सलिलेन वसुंधराम्। निर्वर्तयित्वा सस्यानि कृतकर्मा व्यवस्थितः॥ २२॥
Meaning
“Having saturated the earth with water and ripened the corns, Indra (the god with a thousand eyes) is now easy of mind, his task having been accomplished. (22)
दीर्घगम्भीरनिर्घोषाः शैलद्रुमपुरोगमाः। विसृज्य सलिलं मेघाः परिशान्ता नृपात्मज॥ २३॥
Meaning
“Having discharged their water while sailing in front of mountains and trees with a prolonged and deep rumbling, the clouds are fully at rest now, O prince ! (23)
नीलोत्पलदलश्यामाः श्यामीकृत्वा दिशो दश। विमदा इव मातङ्गाः शान्तवेगाः पयोधराः॥ २४॥
Meaning
“The clouds, which were till recently dark like the petals of a blue lotus and stood darkening all the ten directions, now look like elephants free from rut, their fury having abated. (24)
जलगर्भा महावेगाः कुटजार्जुनगन्धिनः। चरित्वा विरताः सौम्य वृष्टिवाताः समुद्यताः॥ २५॥
Meaning
“Having finished their round, O gentle brother, the rainy winds, which were laden with moisture and full of great fury, and which bore the fragrance of Kuṭaja and Arjuna flowers, have now ceased to blow, though fully prepared to march. (25)
घनानां वारणानां च मयूराणां च लक्ष्मण। नादः प्रस्रवणानां च प्रशान्तः सहसानघ॥ २६॥
Meaning
“The rumbling of clouds, the trumpeting of elephants, the cry of peacocks and the sound of waterfalls have become completely still all at once, O sinless one ! (26)
अभिवृष्टा महामेघैर्निर्मलाश्चित्रसानवः। अनुलिप्ता इवाभान्ति गिरयश्चन्द्ररश्मिभिः॥ २७॥
Meaning
“Having been washed on all sides by huge clouds and thus cleansed of their impurities, the mountains with their picturesque peaks shine forth as though illumined by the rays of the moon. (27)
शाखासु सप्तच्छदपादपानां प्रभासु तारार्कनिशाकराणाम्। लीलासु चैवोत्तमवारणानां श्रियं विभज्याद्य शरत्प्रवृत्ता॥ २८॥
Meaning
“Autumn has now set in, severally manifesting her grace (in the form of blossom) on the boughs of Saptachhada trees, through the light of the stars, the sun and the moon and through the frolicking sport of excellent elephants. (28)
सम्प्रत्यनेकाश्रयचित्रशोभा लक्ष्मीः शरत्कालगुणोपपन्ना। सूर्याग्रहस्तप्रतिबोधितेषु पद्माकरेष्वभ्यधिकं विभाति॥ २९॥
Meaning
“With her diversified elegance manifested through various channels the goddess of loveliness, adorned with the beauties of autumn, spreads her charm in an extraordinary degree in the clusters of lotuses opened by the first rays of the sun. (29)
सप्तच्छदानां कुसुमोपगन्धी षट्पादवृन्दैरनुगीयमानः। मत्तद्विपानां पवनानुसारी दर्पं विनेष्यन्नधिकं विभाति॥ ३०॥
Meaning
“Bearing the fragrance of the blossom of Saptachhada trees, nay being celebrated in song by swarms of black bees, drying up the waters of the lakes and rivers etc., heightening the excitement of elephants in rut and thus following the ways of the wind-god, autumn is spreading its charm in a special degree. (30)
अभ्यागतैश्चारुविशालपक्षैः स्मरप्रियैः पद्मरजोऽवकीर्णैः। महानदीनां पुलिनोपयातैः क्रीडन्ति हंसाः सह चक्रवाकैः॥ ३१॥
Meaning
“The swans are sporting with Cakravākas (a species of red geese), that have newly arrived from the Mānasarovara lake with them, are distinguished by their lovely distended wings and covered over with the pollen of lotuses, are fond of amorous sport and have come in contact with them on the sandy banks of big rivers. (31)
मदप्रगल्भेषु च वारणेषु गवां समूहेषु च दर्पितेषु। प्रसन्नतोयासु च निम्नगासु विभाति लक्ष्मीर्बहुधा विभक्ता॥ ३२॥
Meaning
“Loveliness appears reflected severally in elephants mad through rut, in herds of excited bulls as well as in streams with pellucid waters. (32)
नभः समीक्ष्याम्बुधरैर्विमुक्तं विमुक्तबर्हाभरणा वनेषु। प्रियास्वरक्ता विनिवृत्तशोभा गतोत्सवा ध्यानपरा मयूराः॥ ३३॥
Meaning
“Perceiving the sky wholly devoid of clouds, the peacocks in the woods—that had shed their decoration in the form of their tail and were no longer fond of their mates, whose grace had totally disappeared and whose joy had departed—became absorbed in the thought of clouds. (33)
मनोज्ञगन्धैः प्रियकैरनल्पैः पुष्पातिभारावनताग्रशाखैः। सुवर्णगौरैर्नयनाभिरामै- रुद्योतितानीव वनान्तराणि॥ ३४॥
Meaning
“The depths of the forests were lit up, as it were, with the presence of numerous Priyaka (Asana) trees emitting delightful fragrance, which were bright as gold and were highly pleasing to the eye, and the tips of whose branches were bent under the excessive weight of their blossom. (34)
प्रियान्वितानां नलिनीप्रियाणां वने प्रियाणां कुसुमोद्गतानाम्। मदोत्कटानां मदलालसानां गजोत्तमानां गतयोऽद्य मन्दाः॥ ३५॥
Meaning
“The gait of the foremost of elephants—who are accompanied by their mates, are fond of lotus-ponds and the woods, who are out to enjoy the blossom of Saptachhada trees, are excited by passion and are full of ardent longing for sexual enjoyment, affected with rut as they are—has become slow now. (35)
व्यक्तं नभः शस्त्रविधौतवर्णं कृशप्रवाहानि नदीजलानि। कह्लारशीताः पवनाः प्रवान्ति तमो विमुक्ताश्च दिशः प्रकाशाः॥ ३६॥
Meaning
“The sky has clearly assumed the spotless hue of a sword sharpened on the whetstone, the waters of the rivers are flowing in a narrow stream, the winds are blowing cool due to contact with Kalhāra flowers and wafting their fragrance, while the quarters look bright, entirely free as they are from obscurity caused by clouds. (36)
सूर्यातपक्रामणनष्टपङ्का भूमिश्चिरोद्घाटितसान्द्ररेणुः। अन्योन्यवैरेण समायुताना- मुद्योगकालोऽद्य नराधिपानाम्॥ ३७॥
Meaning
“All mud having disappeared due to contact of sunshine, the soil is now covered with thick layers of dust come to light after a long time. Now is the time for military endeavour on the part of kings (lit., rulers of men) actuated by enmity towards one another. (37)
शरद्गुणाप्यायितरूपशोभाः प्रहर्षिताः पांसुसमुत्थिताङ्गाः। मदोत्कटाः सम्प्रति युद्धलुब्धा वृषा गवां मध्यगता नदन्ति॥ ३८॥
Meaning
“Overjoyed bulls—whose graceful comeliness of form has been heightened by the bracing qualities of autumn, whose limbs are powdered with dust, nay, who are excited with passion and are now covetous of fighting with one another—are bellowing in the midst of cows. (38)
समन्मथा तीव्रतरानुरागा कुलान्विता मन्दगतिः करेणुः। मदान्वितं सम्परिवार्य यान्तं वनेषु भर्तारमनुप्रयाति॥ ३९॥
Meaning
“Affected with rut and as such full of passionate love, hence walking with a slow tread, the she-elephant of noble breed follows her mate—also affected with rut and ranging through the woods—encompassing him now and then. (39)
त्यक्त्वा वराण्यात्मविभूषितानि बर्हाणि तीरोपगता नदीनाम्। निर्भर्त्स्यमाना इव सारसौघैः प्रयान्ति दीना विमना मयूराः॥ ४०॥
Meaning
“Shedding their excellent tails, which served as their natural adornment, peacocks arrived near the banks of rivers, come away distressed and disconsolate, as though being rebuffed by swarms of cranes. (40)
वित्रास्य कारण्डवचक्रवाकान् महारवैर्भिन्नकटा गजेन्द्राः। सरस्सुबद्धाम्बुजभूषणेषु विक्षोभ्य विक्षोभ्य जलं पिबन्ति॥ ४१॥
Meaning
“Scaring away Kāraṇḍavas and Cakravākas by their formidable cries, while standing in lakes adorned with open lotuses, lordly elephants with ichor exuding from their temples, drink their water after stirring it violently again and again. (41)
व्यपेतपङ्कासु सवालुकासु प्रसन्नतोयासु सगोकुलासु। ससारसारावविनादितासु नदीषु हंसा निपतन्ति हृष्टाः॥ ४२॥
Meaning
“Swans full of joy descend into rivers from which mud has altogether disappeared, which are now fringed with sands, whose waters have become clear, which are frequented by herds of cows and flocked with cranes and are rendered noisy with their cries. (42)
नदीघनप्रस्रवणोदकाना- मतिप्रवृद्धानिलबर्हिणानाम्। प्लवंगमानां च गतोत्सवानां ध्रुवं रवाः सम्प्रति सम्प्रणष्टाः॥ ४३॥
Meaning
“The sound of the water flowing in rivers, the water discharged by clouds and the murmur of the water gushing from springs, the sound of furious winds, the cries of peacocks and the croaks of frogs, that are bereft of joy, have completely vanished now, to be sure. (43)
अनेकवर्णाः सुविनष्टकाया नवोदितेष्वम्बुधरेषु नष्टाः। क्षुधार्दिता घोरविषा बिलेभ्य- श्चिरोषिता विप्रसरन्ति सर्पाः॥ ४४॥
Meaning
“Serpents of many colours carrying terrible poison in their fangs, which remained shut up for a long time in holes for fear of rains ever since the time clouds newly made their appearance in the sky and which were all but dead, their means of sustenance having been completely cut off, are now emerging freely from their holes, tormented as they are with hunger. (44)
चञ्चच्चन्द्रकरस्पर्शहर्षोन्मीलिततारका। अहो रागवती संध्या जहाति स्वयमम्बरम्॥ ४५॥
Meaning
“Full of passion in the form of roseate hue (in the western horizon) and the pupils of her eyes in the form of stars, brightened through joy at the touch of the hands of the charming moon in the form of moonbeams, the lady in the form of evening twilight automatically abandons herself the covering in the form of the sky. (45)
रात्रिः शशाङ्कोदितसौम्यवक्त्रा तारागणोन्मीलितचारुनेत्रा। ज्योत्स्नांशुकप्रावरणा विभाति नारीव शुक्लांशुकसंवृताङ्गी॥ ४६॥
Meaning
“With her pleasing countenance in the form of the moon perceptible and her lovely eyes in the form of the hosts of stars opened and with her mantle of moonshine wrapped round her body, the night looks like a woman who has her limbs covered with a white cloth. (46)
विपक्वशालिप्रसवानि भुक्त्वा प्रहर्षिता सारसचारुपङ्क्तिः। नभः समाक्रामति शीघ्रवेगा वातावधूता ग्रथितेव माला॥ ४७॥
Meaning
“Overjoyed to eat ears of fully ripe paddy and holding them in their beaks, a charming row of cranes takes its flight across the sky with a dashing speed like a knotted garland carried by the wind. (47)
सुप्तैकहंसं कुमुदैरुपेतं महाह्रदस्थं सलिलं विभाति। घनैर्विमुक्तं निशि पूर्णचन्द्रं तारागणाकीर्णमिवान्तरिक्षम् ॥ ४८॥
Meaning
“Adorned with water-lilies, the water in the big pond with a solitary swan lying asleep on it, looks delightful like the sky completely bereft of clouds, nay, illumined by the full moon and spangled with a host of stars at night. (48)
प्रकीर्णहंसाकुलमेखलानां प्रबुद्धपद्मोत्पलमालिनीनाम्। वाप्युत्तमानामधिकाद्य लक्ष्मी- र्वराङ्गनानामिव भूषितानाम्॥ ४९॥
Meaning
“The loveliness of the best of tanks with their broken girdle of swans scattered here and there and their wreaths of full-blown lotuses, and, therefore, looking like lovely women adorned with jewels, stands enhanced today. (49)
वेणुस्वरव्यञ्जिततूर्यमिश्रः प्रत्यूषकालेऽनिलसम्प्रवृत्तः। सम्मूर्छितो गर्गरगोवृषाणा- मन्योन्यमापूरयतीव शब्दः॥ ५०॥
Meaning
“Blended with the music produced in the form of the whistling of bamboos and circulated by the breeze in the morning and, therefore, spread all round, the echo coming from the caves and the bellowing of the bulls supplement each other, as it were. (50)
नवैर्नदीनां कुसुमप्रहासै- र्व्याधूयमानैर्मृदुमारुतेन। धौतामलक्षौमपटप्रकाशैः कूलानि काशैरुपशोभितानि॥ ५१॥
Meaning
“The banks of rivers stand decorated with fresh bunches of Kāśa grass smiling joyfully in the form of their blossom, nay, being swung by a gentle breeze and shining brightly like strips of linen washed clean with water. (51)
वनप्रचण्डा मधुपानशौण्डाः प्रियान्विताः षट्चरणाः प्रहृष्टाः। वनेषु मत्ताः पवनानुयात्रां कुर्वन्ति पद्मासनरेणुगौराः॥ ५२॥
Meaning
“Flying unhampered in the woods and adept in sucking honey, nay, drunk with honey in the woods and turned grey with the pollen of lotus and Asana flowers, the black bees accompanied by their loved ones and transported with joy follow the course of the wind. (52)
जलं प्रसन्नं कुसुमप्रहासं क्रौञ्चस्वनं शालिवनं विपक्वम्। मृदुश्च वायुर्विमलश्च चन्द्रः शंसन्ति वर्षव्यपनीतकालम्॥ ५३॥
Meaning
“Pellucid water in the rivers, lakes etc., smiling joyfully in the form of lotus and other flowers and made noisy with the cries of cranes, fully ripe paddy-fields, nay, the gentle breeze and the cloudless moon betoken the time of passing away of the rains. (53)
मीनोपसंदर्शितमेखलानां नदीवधूनां गतयोऽद्य मन्दाः। कान्तोपभुक्तालसगामिनीनां प्रभातकालेष्विव कामिनीनाम्॥ ५४॥
Meaning
“The pace of matrons in the form of rivers with their girdles visible in the form of fishes is slow today like that of passionate women enjoyed (the previous night) by their beloved one and walking with a tardy gait at the time of sunrise. (54)
सचक्रवाकानि सशैवलानि काशैर्दुकूलैरिव संवृतानि। सपत्ररेखाणि सरोचनानि वधूमुखानीव नदीमुखानि॥ ५५॥
Meaning
“Full of Cakravāka birds (a species of red geese) and duck-weeds floating on them and covered with bunches of Kāśa grass as though with a piece of cloth, the faces of rivers resemble the faces of matrons severally painted with Gorocana (a yellow orpiment prepared from the bile of a cow) and decorated with lines or streaks drawn with musk and other fragrant substances. (55)
प्रफुल्लबाणासनचित्रितेषु प्रहृष्टषट्पादनिकूजितेषु। गृहीतचापोद्यतदण्डचण्डः प्रचण्डचापोऽद्य वनेषु कामः॥ ५६॥
Meaning
“Wielding a fierce bow, the god of love, who is cruel in his violence started against the love-lorn with the bow grasped in his hand, has made his appearance today in woodlands adorned with Bāṇa and Asana trees in full blossom and rendered very noisy by highly delighted black bees. (56)
लोकं सुवृष्ट्या परितोषयित्वा नदीस्तटाकानि च पूरयित्वा। निष्पन्नसस्यां वसुधां च कृत्वा त्यक्त्वा नभस्तोयधराः प्रणष्टाः॥ ५७॥
Meaning
“Having saturated the earth with abundant rainfall and filling the rivers and tanks, nay, having provided the earth with ripe corns and leaving the sky, the clouds have totally disappeared. (57)
दर्शयन्ति शरन्नद्यः पुलिनानि शनैः शनैः। नवसंगमसव्रीडा जघनानीव योषितः॥ ५८॥
Meaning
“The autumnal streams gradually reveal their banks in the same way as brides bashful in their first meeting with their spouse uncover their body by degrees. (58)
प्रसन्नसलिलाः सौम्य कुरराभिविनादिताः। चक्रवाकगणाकीर्णा विभान्ति सलिलाशयाः॥ ५९॥
Meaning
“With their pellucid water, the lakes and ponds, which are made noisy by ospreys and crowded with swarms of Cakravāka birds (a species of red geese), look very charming, O gentle one ! (59)
अन्योन्यबद्धवैराणां जिगीषूणां नृपात्मज। उद्योगसमयः सौम्य पार्थिवानामुपस्थितः॥ ६०॥
Meaning
“The time has come for kings who have deep-seated animosity with one another and are thirsting for conquest to embark on their military campaigns, O gentle prince ! (60)
इयं सा प्रथमा यात्रा पार्थिवानां नृपात्मज। न च पश्यामि सुग्रीवमुद्योगं च तथाविधम्॥ ६१॥
Meaning
“This is the occasion for kings to undertake their very first expedition for conquest after the monsoon, O prince ! I, however, neither see Sugrīva nor any endeavour of that kind on his part so far. (61)
असनाः सप्तपर्णाश्च कोविदाराश्च पुष्पिताः। दृश्यन्ते बन्धुजीवाश्च श्यामाश्च गिरिसानुषु॥ ६२॥
Meaning
“Asana and Saptaparṇa as well as Kovidāra and Bandhujīva as also Tamāla trees are seen in blossom on the mountain-peaks. (62)
हंससारसचक्राह्वैः कुररैश्च समन्ततः। पुलिनान्यवकीर्णानि नदीनां पश्य लक्ष्मण॥ ६३॥
Meaning
“See, O Lakṣmaṇa, the sandy banks of rivers crowded with swans, cranes and Cakravākas as well as with ospreys on all sides. (63)
चत्वारो वार्षिका मासा गता वर्षशतोपमाः। मम शोकाभितप्तस्य तथा सीतामपश्यतः॥ ६४॥
Meaning
“The four rainy months have well-nigh elapsed like a hundred years past me, tormented as I am with grief because I do not behold Sītā. (64)
चक्रवाकीव भर्तारं पृष्ठतोऽनुगता वनम्। विषमं दण्डकारण्यमुद्यानमिव चाङ्गना॥ ६५॥
Meaning
“The belle followed at my back to the forest of Daṇḍaka, which was hard to penetrate, even as a female Cakravāka would follow her mate to a garden. (65)
प्रियाविहीने दुःखार्ते हृतराज्ये विवासिते। कृपां न कुरुते राजा सुग्रीवो मयि लक्ष्मण॥ ६६॥
Meaning
“King Sugrīva, O Lakṣmaṇa, is not showing his goodwill to me, even though I am bereft of my darling, stricken with agony, deprived of my kingdom and exiled from my home. (66)
अनाथो हृतराज्योऽहं रावणेन च धर्षितः। दीनो दूरगृहः कामी मां चैव शरणं गतः॥ ६७॥ इत्येतैः कारणैः सौम्य सुग्रीवस्य दुरात्मनः। अहं वानरराजस्य परिभूतः परंतपः॥ ६८॥
Meaning
“A scorcher of foes, as I am, I have been held in contempt by Sugrīva, the evil-minded king of monkeys, on the grounds that I am forlorn, have been deprived of my kingdom and outraged by Rāvaṇa, that I am miserable, far from my home and love-sick and have sought him for protection. (67-68)
स कालं परिसंख्याय सीतायाः परिमार्गणे। कृतार्थः समयं कृत्वा दुर्मतिर्नावबुध्यते॥ ६९॥
Meaning
“Having fixed a limit of time for the search of Sītā and arrived at an understanding with me on this score, the perverted fellow does not give heed to it, his object having already been accomplished. (69)
स किष्किन्धां प्रविश्य त्वं ब्रूहि वानरपुङ्गवम्। मूर्खं ग्राम्यसुखे सक्तं सुग्रीवं वचनान्मम॥ ७०॥
Meaning
“Therefore, duly entering Kiṣkindhā, admonish in my name the foolish Sugrīva, the foremost of monkeys, who is attached to carnal pleasures, as follows: (70)
अर्थिनामुपपन्नानां पूर्वं चाप्युपकारिणाम्। आशां संश्रुत्य यो हन्ति स लोके पुरुषाधमः॥ ७१॥
Meaning
‘The vilest among men in this world is he who, having pledged his word to grant the desire of suppliants, who are themselves endowed with strength etc., and have also rendered good offices to him in the past, fails to implement his promise. (71)
शुभं वा यदि वा पापं यो हि वाक्यमुदीरितम्। सत्येन परिगृह्णाति स वीरः पुरुषोत्तमः॥ ७२॥
Meaning
‘He, on the other hand, who honours as inviolable his plighted word, be it productive of good or evil, is a hero and the best of men. (72)
कृतार्था ह्यकृतार्थानां मित्राणां न भवन्ति ये। तान् मृतानपि क्रव्यादाः कृतघ्नान् नोपभुञ्जते॥ ७३॥
Meaning
‘Even carnivore refuse to feed on the flesh of those ungrateful beings, when they are dead, who, though having achieved their own end, actually fail to be of any service to their beneficent friends whose object has not yet been accomplished. (73)
नूनं काञ्चनपृष्ठस्य विकृष्टस्य मया रणे। द्रष्टुमिच्छसि चापस्य रूपं विद्युद्गणोपमम्॥ ७४॥
Meaning
‘Do you really wish to see the shining frame, resembling a series of lightning flashes, of my gold-backed bow stretched at full length by me in combat? (74)
घोरं ज्यातलनिर्घोषं क्रुद्धस्य मम संयुगे। निर्घोषमिव वज्रस्य पुनः संश्रोतुमिच्छसि॥ ७५॥
Meaning
‘Do you long to hear once more at close quarters the terrible twang of my bowstring resembling the crash of a thunderbolt when I am angered on a field of battle?’ (75)
काममेवंगतेऽप्यस्य परिज्ञाते पराक्रमे। त्वत्सहायस्य मे वीर न चिन्ता स्यान्नृपात्मज॥ ७६॥
Meaning
“It is strange, O prince, that no anxious thought that I could as well slay Sugrīva, as I did Vālī, if he failed to implement his promise should cross the mind of Sugrīva even under such circumstances when my prowess is directly and fully known to him and especially when I have a helpful companion in you. (76)
यदर्थमयमारम्भः कृतः परपुरंजय। समयं नाभिजानाति कृतार्थः प्लवगेश्वरः॥ ७७॥
Meaning
“Sugrīva (the lord of monkeys), whose object has been accomplished, no longer remembers the understanding which was arrived at with him by me relating to the purpose in the shape of conducting a search for Sītā for which this endeavour in the form of cultivating friendship with him and killing Vālī was made by me, O conqueror of hostile cities ! (77)
वर्षाः समयकालं तु प्रतिज्ञाय हरीश्वरः। व्यतीतांश्चतुरो मासान् विहरन् नावबुध्यते॥ ७८॥
Meaning
“Having given his plighted word to the effect that the understanding arrived at with me will be honoured at the end of the monsoon, Sugrīva (the king of monkeys), who is busy diverting himself by enjoying the pleasures of sense is not aware of the four rainy months that have already well-nigh elapsed. (78)
सामात्यपरिषत्क्रीडन् पानमेवोपसेवते। शोकदीनेषु नास्मासु सुग्रीवः कुरुते दयाम्॥ ७९॥
Meaning
“Amusing himself alongwith his ministers and court, Sugrīva is only enjoying drink, and does not commiserate with us, who are distressed through grief. (79)
उच्यतां गच्छ सुग्रीवस्त्वया वीर महाबल। मम रोषस्य यद्रूपं ब्रूयाश्चैनमिदं वचः॥ ८०॥
Meaning
“Go and let Sugrīva be apprised of the turn which my wrath may take, O valiant prince possessed of extraordinary might, and administer to him the following warning: (80)
न स संकुचितः पन्था येन वाली हतो गतः। समये तिष्ठ सुग्रीव मा वालिपथमन्वगाः॥ ८१॥
Meaning
‘The route by which Vālī has departed on being killed by me on the field of battle has not been closed. Therefore, abide by the pledge given by you, pray, do not follow the path of Vālī. (81)
एक एव रणे वाली शरेण निहतो मया। त्वां तु सत्यादतिक्रान्तं हनिष्यामि सबान्धवम्॥ ८२॥
Meaning
‘Vālī alone was killed by me with an arrow while I will kill you with all your kinsfolk since you have deviated from truth.’ (82)
यदेवं विहिते कार्ये यद्धितं पुरुषर्षभ। तत् तद् ब्रूहि नरश्रेष्ठ त्वर कालव्यतिक्रमः॥ ८३॥
Meaning
“When the work of initiating a search for Sītā has been impeded in this way, pray, speak to Sugrīva whatever is good for him as well as for us, O jewel among men ! Make haste, O ornament of humanity ! Let there be no delay. (83)
कुरुष्व सत्यं मम वानरेश्वर प्रतिश्रुतं धर्ममवेक्ष्य शाश्वतम्। मा वालिनं प्रेतगतो यमक्षये त्वमद्य पश्येर्मम चोदितः शरैः॥ ८४॥
Meaning
“Address in my name the following appeal to Sugrīva : ‘Recognizing it to be an everlasting virtue, O lord of monkeys, implement the pledge given to me. Hurled by my arrows to the other world, pray, do not see you Vālī in the abode of Death today.” (84)
स पूर्वजं तीव्रविवृद्धकोपं लालप्यमानं प्रसमीक्ष्य दीनम्। चकार तीव्रां मतिमुग्रतेजा हरीश्वरे मानववंशवर्धनः॥ ८५॥
Meaning
Perceiving his eldest brother, Śrī Rāma, babbling, distressed as he was, his anger having grown violent, Lakṣmaṇa, the promoter of the race of Manu (the progenitor of mankind), who was endowed with terrific energy, adopted a severe attitude towards Sugrīva, the ruler of monkeys. (85)
From the Gita Press, Gorakhpur edition. Buy the book